Right from the beginning of the film, Argento makes the audience feel uneasy about what the audience is about to get into. As soon as the main character, Suzy, arrives at the airport, there is a fascinating scene where it switches between her in the airport, which features normal, everyday music, to the outside, where it is pouring down with rain and a far more alarming soundtrack is played: Argento's "own rock score (all dissonance and heavy-breathing) blasts out in stereo" (SM, no date). This foreshadowing of what is to come is so simple and subtle, but already sets the tone for the film.
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Bibliography
Ebert, R (2017). ""Do You Know Anything About Witches?" "Suspiria" at 40" in Roger Ebert [online]. Available at: https://www.rogerebert.com/balder-and-dash/do-you-know-anything-about-witches-suspiria-at-40
Smith, A (2000). "Suspiria Review" in Empire [online]. Available at: https://www.empireonline.com/movies/suspiria/review/
SM, (no date). "Suspiria" in Time Out [online]. Available at: https://www.timeout.com/london/film/suspiria
Illustration List
Fig. 1 - https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAy-8ZWQ20gQcar3zq1s5j-4wMV0sXJ6CByb1rxVdCV5XOqZMd0YQp7wvBLHhSg1KVNpC9x9HVGPYx1Rt9SMDg1bBZYVrFfnWVA8khQXn_JOV4A6SM1UWcDF9sP97gSMbnRlWv_JzGWEE/s1600/suspiria2.png
Fig. 2 - https://filmgrimoire.files.wordpress.com/2015/02/suspiria-214.jpg
Fig. 3 - https://i.kinja-img.com/gawker-media/image/upload/s--KtBhO-67--/c_scale,fl_progressive,q_80,w_800/mq7objrqlxbxzd9zxkwz.jpg
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